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  • Writer's pictureCatherine O'Regan

Have Massive Attack pulled the ultimate 'Banksy’ and pranked us?

Updated: Oct 9, 2019

Massive Attack played two gigs in their hometown of Bristol this weekend, but they left this fan cold in more ways than one.

Set in the brutal landscape of a disused airport hangar, knowingly named ‘Steel Yard’, fans were efficiently ferried on buses from Bristol town centre to a purpose built venue for a special Mezzanine anniversary gig. Technically it was billed as an indoor gig but it was more like an outdoor event with a roof on it.

Circled by beer and food tents, which accepted cash only on the night, the hangar was grim and unforgiving. We had hope early in the evening for a spectacular gig or at least something to stimulate the senses if not to keep the cockles warm.

Everywhere we went, people were funneled in queues through steel barriers, at the ticket check, for the bar, for the portaloos. Everything was done by the book, no room for anyone kicking off or being anything other than a responsible and obedient citizen. George Orwell would have been impressed.

Massive Attack took to the stage without a word, knocked out some of their Mezzanine songs and threw in a few other random unrelated tracks. Without any context from the band, there was no apparent order or purpose to the sequence. All of this was accompanied by nausea inducing flashing screens (I would have liked a warning from the organisers about that), interspersed with politically loaded messages, grim video clips and a whole lot of Adam Curtis content.

I'm fairly sure the band are abreast of the current political landscape, so to serve up a plateful of moral posturing in the midst of Brexit limbo was unfeeling at best or deliberately cruel at worst. I know that Massive Attack project this dystopian digital nightmare, but when people are paying hard earned cash for a night away from the impending social apocalypse, the last thing we need is a sermon from a band charging over fifty pounds a head for the privilege.

Apart from a few snatched moments of joy from Liz Fraser and Horace Andy, I wasn't entirely sure if Massive Attack even realised they had an audience there. I wasn't sure I'd actually seen them myself or just hallucinated the whole thing (believe me, the alcohol wasn't *that* good). Being quite short and standing towards the back of the hangar, I saw some projections of the singers on a suspended screen, but again no word from 3D or Daddy G. It all ended very abruptly, no acknowledgement of the audience, no encore, no wishing us a safe trip home. For a band who built their reputation in Bristol, it was poor form to not remember or even nod towards the town they started from.

I'd like to think I'm more than a casual fan of Massive Attack. Many of us attending said the band formed the backdrop to our younger and maybe more hedonistic selves. The year Mezzanine was released, I was studying a postgraduate in music technology and my thesis and accompanying music production sampled and was directly influenced by Mezzanine. I have a strong emotional attachment to the band and in particular that album.

Afterwards, we couldn't quite put our finger on it. Harsh landscape, not so subliminal messages and sullen attitude... so far, so Massive Attack. Only the next day it occurred to me that this was like another version of Banksys Dismaland, a grim and politically pointed event that people voluntarily paid for and queued up to see.

Was this on purpose? Was herding their audience like cattle in a cultural abattoir intentional? In the absence of any connection with the audience, I concluded that this was on some level, a social experiment to see if people would willingly part with their money for the opposite of entertainment. Like Banksy's Love is in the Bin, our anticipation was effectively shredded in public, but not until after the money was in the bag.

Now, you may think this is a lot of whining from someone who had the means and money to afford to go. But having spent easily over £100 that night to stand in a shed with overpriced food and drink, was a liberty by massive attack. I'd like to think it was only myself that lost out, but I had a friend who'd travelled over from the Republic of Ireland especially to go to the gig.

I know I am lucky I can chose to do these things and many people in Bristol don't have the luxury of picking and choosing how they spend their leisure time and money. But if this was a joke, then it was an expensive one on their hometown and Robert and Grant need to remember which side their bread is buttered.

If you're thinking of going to one of their future gigs, don't. You'd be better off doing something worthwhile with your money*. If you've any left over, buy yourself a few cans of beer and listen to Mezzanine at home.

I wish I had better things to say about the event, but like Banksy's Girl with a Balloon, that night my love for Massive Attack slipped from my grasp and drifted away in the wind.


*I've donated the equivalent value of my ticket to the Trussel Trust, just to put my money where my mouth is.

2,000 views7 comments


Nathan Davis
Nathan Davis
Mar 04, 2019

ps:- did you hear the weird EDM cover of avicii at the end? Total trolling


Nathan Davis
Nathan Davis
Mar 04, 2019

Totally agree. Word for word. Cold, wet. Couldn't wait to leave. I'd like to stay in touch as I have a pretty incredible banksy story for you but can't really tell you the full story yet...


Mar 04, 2019

Yeah... I flew in from Vancouver, Canada for the gig. Yeah I'm a fan of Massive Attack, but not hardcore. But when you promote a tour to celebrate the anniversary of one of your largest records and you're playing in your hometown in a one off venue for the night... why wouldn't you want to be at that gig?

Sound was wasn't where it should've been. Even thought they would've gone more hard out with the lighting and visuals considering they setup that space. Was just wanting more from it at the end of night.

Show could've easily just have been done in an art gallery or cafe after hours and actually had more of an impact.

But it isn't…


Mar 03, 2019

An interesting take on this event which resonates strongly with me. I have followed MA for many years and have seen them many times in various locations including in the torrential rain on The Downs in Bristol in 2016, however last night’s Bristol gig for me counts as the low point. The big tent concept simply did not work in my view, the stage was so low that the band were scarcely visible (perhaps intentionally, do they just want to do a Pink Floyd and play behind a wall) and the Adam Curtis visuals were largely grating and pretentious b@llocks with no connection to the music. The sound was supposedly better on Saturday than the Friday gig, however it wa…


Mar 03, 2019

You nailed it. A dire night. It got me £350 in total to take time offwork and get a train from London. I’ve never been so disappointed in abandoned in my life. Never again.

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